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Resources

Studies in Communication Science

March 5, 2008, Filed Under: Media & Information Literacy, Resources

The Journal publishes full papers, short communications in form of focal articles, position papers, event reports, etc. Reviews of books or comments on papers may be commissioned. Studies in Communication Sciences is published two times a year. Each issue will contain approximately 250 pages. Each issue includes a Thematic Section focusing on a particular topic […]

 

Media Education Foundation

March 5, 2008, Filed Under: Media & Information Literacy, Resources

Media Education Foundation’s study guides have been created in cooperation with nationally acclaimed media experts, teachers, professors and lecturers. You can use this study guides to enhance media education in your classroom.

 

Advanced Technologies in Plastic Surgery: How new innovations can improve our training and practice

March 5, 2008, Filed Under: Media & Information Literacy, Resources

The goal of this article is to review 1) the emerging intersection between advanced technologies and surgery and 2) how new technology is being utilized in several surgical fields, specifically Plastic Surgery. This article ends with how plastic and reconstructive surgeons can benefit by working to further the development of multimedia and simulated environment technologies […]

 

Using Cognitive Task Analysis to Facilitate Collaboration in Development of Simulator to Accelerate Surgical Training

March 5, 2008, Filed Under: Media & Information Literacy, Resources

The project describes a framework with which to look at a surgical procedure and develop technology that will complement the educational and cognitive goals of the user.

 

Select and Combine: The Rise of Database Narratives

March 5, 2008, Filed Under: Media & Information Literacy, Resources

This is the world of Pat O’Neill’s Tracing the Decay of Fiction, a DVD-ROM made in collaboration with the Labyrinth Project at USC’s Annenberg Center for Communication, which for the past five years has been a key player in the loose global network of digital artists and designers charting new territories in the field of […]

 

The Past in Ruins: Postmodern Politics and the Fake History Film

March 5, 2008, Filed Under: Media & Information Literacy, Resources

In spite of its reputation for conservatism and discursive sobriety, the discipline of History is far from monolithic. Ongoing challenges to historical research and writing protocols have resulted in a highly diverse and dynamically self-conscious array of competing methodologies.

 

The Past in Ruins: Postmodern Politics and the Fake History Film

March 5, 2008, Filed Under: Media & Information Literacy, Resources

In spite of its reputation for conservatism and discursive sobriety, the discipline of History is far from monolithic. Ongoing challenges to historical research and writing protocols have resulted in a highly diverse and dynamically self-conscious array of competing methodologies.

 

Past Indiscretions: Digital Archives and Recombinant History

March 5, 2008, Filed Under: Media & Information Literacy, Resources

This chapter examines the impact of digital technologies on the writing of history, arguing that the narrative logics of the database and search engine have resulted in two divergent movements – one that seeks to articulate a “total” history that is encyclopedic in scope and rooted in relatively stable conceptions of historical epistemology; another that […]

 

Open Source: Cinema in the Public Domain

March 5, 2008, Filed Under: Media & Information Literacy, Resources

Sometime in the near future, the bigger questions will have to be asked – about what kind of world we want to live in and how large a specter of corporate control we will allow to haunt our participation in the media culture that surrounds us. Can we seriously expect that today’s PC- and iPod-equipped […]

 

Experiments in Interactive Panoramic Cinema

March 5, 2008, Filed Under: Media & Information Literacy, Resources

This paper describes several research projects in interactive panoramic cinema that attempt to sidestep the narrative preoccupations of conventional cinema and instead are based on notions of space, movement and embodied spectatorship rather than traditional storytelling.

 

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